Animatic time!!

We finished our animatic for our animation including a scratch track before our presentation. We had a small issue the image being a tiny square in the middle of the screen when we rendered from Premier. We tried to enlarge it but I went grainy, however I still think it clearly shows whats going on. I cant upload it on here, I guess the files too big :) Only now this is done we're all dreading drawing over 2000 frames.

Here is the animatic without the scratch track:

Hayle Storyboard

Our group is working really well together. Were working on different aspects of the pre-production but all chipping in. We've recorded the sound and make up a scratch track. This is the Hayle storyboard I put together from the script we wrote. I tried to keep the shots simple, remembering things said about the ident project. Saying this there will be a lot of lip syncing to do...

Character Designs for the the 3 W's

These are the character designs for Winnies Woolworths Wedding. I decided to do them in colour even though we are planning on using sepia tones, this is in case we change our minds. Its easier to change form colour to sepia then the other way round. It also makes thins less confusing when we eventually draw over them.

This is the young version of Winnie, as we go back to her memories to relive her wedding day. I designed her so she looks young and attractive while still in keeping with the 1950s fashion. I like the style of her dress but I probably could of used a blander colour so it would be more suitable for the period; however, I wanted Winnie's past to bright and cheery like her.

This is how I imagined someone like Winnie to look in the present. Its a stereotypical Grandma. I'm not sure on the colours, but I wanted them to clash and stand out from each other like she has an interesting personality.

This is Winnie's mother-in-law. She may not fit in with the other designs but I wanted her to be a comedy element and almost cartoon like. Winnie hardly mentions her in her story except when adding up totals but the colours she wears makes her stand out like she wants to be in charge.

This is Winnie's Husband. I kept him simple to make sure he looked like a working lad from Hayle. And is even more oddly matched with his mother, who has certainly dressed up for the occasion.

Hayle Project- Winnie's Woolworths Wedding

Well the projects going good so far, I'm working with Jenny, Leki and Lucy and am finding out what it means to be the director. Its all a bit strange having the responsibility of making sure the animation is fluid in design and makes sense in the story. Its not too much hard work though because we're communicating well with regular meetings, I think we've all pretty much had equal input into what this animation will look like.

We have decided to use the method that Aardman studio used to create 'The Pearce Sisters'.

http://www.youtube.com/watch?v=XjSQJmV8YMY

Which means were going to have to animate and model our scenes in Maya, and then draw over every frame again. Its a long way about it, but I think that it makes a smooth and accurate animation with the style of 2D. The feel of it all is very different in 3D.

Were on schedule at the moment, we have written the script, worked out which parts of the recording were going to use (Winnie had a great Cornish accent but she does repeat herself), researched the 1940s style. had a look at Penzance including the old Woolies and recorded the other sound effects.

Lucy has been doing tests to make sure that we get the effect that we want. I like how they have turned out, but I think if were going to do it in Photoshop were all going to have to practice drawing with a tablet. Here is an example:

Ive been working on the character designs and a neat storyboard and putting together the animatic. I will post an update on how thats all going later.

Chew TV project over and done with!

Finally, the project is over! No more bad dreams of droning 'blahs' and grey slop. Not for a while anyway. I really enjoyed producing these idents with Kat, we had serious 'oh my God what just happened??' moments, and 'that's stupidly funny moments. I would do it all again, but more time? Yes please!

Ive learnt loads these last few weeks, mainly about all the different programs you have to use when producing an animation. In Premiere Pro, Flash and Soundbooth Ive gone from 'how do you open a file?' to being able to do some work towards different aspects of the idents.

The thing I'm most proud of about the two Idents is that we produced the sound ourselves without having a clue what we were doing. OK, they sound scary, scary sounds are the only sounds I can make, but I think they're alright.

Oh yeah, I found that I love concept art. Maybe that's where I could aim to work in the field of.

Well here are both of the idents Kat and I created, Enjoy:

Live @ 5

Who would of thought a few weeks ago we were panicking about the opening titles and astons etc. (our group came out on top with that). Now it was the final day (I think :s) in the journey of live at five.

I did the astons for the day and as long as I copied the names right and rendered the movie files on the correct format Id be OK. Here's an example:

I thought there would be a load more work to do and wed be pushed to our animating limits but I don't think the broadcasting students really grabbed their opportunity of maximising their use of graphics. I understand that they were rushing around a lot and thinking about editing the filming together rather then the small group of animators up in the studio.

Watching the rehearsal and run through was really interesting, even though not very much of it seamed to of grasped the full potential of graphics. We sat in a room with a row of very loud scary people in front of a load of screens. Dennis shouted orders to his students and made me glad in an animation student not in broadcasting, I wouldn't be able to handle the pressure.

Concept Artists

A concept artist, or artists, are people that work on the design of characters, environments and objects for an animation, film or video game. The artist is given a theme or idea and they use their imagination to create an interpretation of this theme. It is their work that helps give you the feel for the animation you’re working on and helps iron out any problems before production.

The resulting images can be beautiful photorealistic pieces of art or simple sketches. Either way it gets the idea behind the design across to the person viewing it, even if it doesn’t make it to the final cut, the essence of it is there. Concept art seems to capture the mood of a setting because it can use a colour or style without having to worry that it doesn’t fit in with the rest of the film.

Concept art can be done totally digitally or physical art materials on paper; whatever medium the artist is most comfortable with expressing themselves in. Now programs like Photoshop have become more popular you see more expressive digital concept art appearing that has become more difficult to tell apart from traditional methods.

I really like the concept art for the video game Fable 2, the lead concept artist was Mike McCarthy who currently works with Lionhead Studios for four years and has been in the industry for about nine years. He has also worked on concepts for Black and White 2 I really like the way he captures a feeling in his work, at it comes out in the final game too. He draws his work as a pencil sketch first, and then colours it in using a program called ‘Painter’. It gives it a grimy effect and looks like you could reach out and touch the rough edges. McCarthy said in an interview that “It’s common for people outside of the digital industry to be completely unaware of what exactly a games artist does,” and also said: “Ironically, I think people are under the impression that the computer does it all. The average reaction I get when I talk to people about being a games artist is, ‘Oh, do you actually have to draw, then?’”

Here are some concept designs of the Spire from Fable 2 by McCarthy:

The Spire is one of the main focuses of the game as a place that you are lead to believe throughout the story, is full of death and evil. However at the same time it’s full of magic and wonder. I think these concepts capture this because they are so dark and are made up of grey tones which make the glowing blues stand out so much more.

The perspectives in the concepts are just as important as they would be in art that is destined for the art gallery. The point of view is positioned carefully for the greatest effect, even though in the game it’s the player that positions the camera for the most convenient view. The low angle of the outside view it particularly effective because it makes the Spire more imposing as it towers over you, I think this shot was used eventually in a cut scene in the game.

Other pieces of concept art I like: